Institutional Repository of the Association of European Schools of Planning
Communities in AESOP Eprints
Select a community to browse its collections.
The cultural turn of waterfront planning in contemporary metropolis: international experience and the practice of waterfront area in shanghai Xuhui district
The waterfront area as an important strategic region of the international metro cultural turn in urban planning and management through international experience area in Shanghai Xuhui District is the last remaining urban waterside area developed completely in Shanghai on a large scale and a complex of municipal fu waterfront landscape, urban waterside public space and industrial sites renovation Through field research and investigation, studying its planning history and interviewing, referencing cıatshei ss taurdtiiecsle analyses the rebuilding city image and place, the roles and responsibilities of government and public agencies in operational capacity, local culture production of value and wisdom, education of cultural rights and responsibilities in the development of cultural corridor Shanghai Xuhui District. In conclusion, it indicates a culture-centered concept key to sustainable development in Waterfront Area in Shanghai Xuhui District; a ne waterfront planning in contemporary metropolis that takes the middle path will em
Shanghai Lilong renewal from the perspective of consumer culture
With the development of social economy, the renewal of traditional lane residential areas in Chinese cities is significantly affected by consumer culture. In the case of Shanghai, Lilong (the local name of lane residential area) renewal has always been combined with tourism and commercial strategies, and has created a new format of urban development since 2000. In this paper, 5 typical Shanghai Lilong areas are selected. To study the characteristics of consumer groups, motivation, behavior, the attraction of street space and cultural elements of these areas, a questionnaire survey is conducted, and the commercial structures of the 5 samples are also analyzed. The paper has discovered that the characteristics of the main consumer groups in Shanghai Lilong are represented by 3 Hs (high education, high income, and high social class) also by lower age, higher percentage of international population and distinct regional features (far higher percentage of native Shanghai people), etc. Through a statistical analysis, 4 representative consumer groups are identified: white-collar workers, college students, foreign tourists and business people, and natives of Shanghai, whose core motivation of consumption is considered to be the construction of social identity and self-identity, reflecting complex values and behavior characteristics. To better cater to its consumer group’s motivations, the Lilong keeps on strengthening the significant characteristics of consumer culture like unique, historic and aesthetic features, as well as the middle to higher consumption tendency and the density of significance. The author argues that the renewal of traditional Lilong has really improved the image of the city and stimulated consumption, but also led to some potential problems, such as the social contradictions, the loss of the authentic culture represented by Lilong, and the superficial trend of cultural connotations in consumption. This research is intended to provide a case study for the renewal of traditional Lilong or lane residential areas in Chinese cities and some reflections on corresponding problems.
Permanent public art from the perspective of claims and context
Permanent public art is one of the layers of the city. In the Czech Republic the practice of public art dramatically changed after1989. All the legislative and institutional support that regulated and ideologically controlled this domain was abolished. New strategies and policy have not yet been established. However, new permanent public art is still installed into the cities. This contribution analyses three phases of the process leading to the new art in the city. Claims, context and art itself are three elements of the whole. They have equal importance. Theoretical understanding of claims, context and art can lead to the precise articulation of future claims, appropriate expectation and better evaluation of benefits. Claims are specific in time and space. Claims, often expressed by the subjects initiating the process of creation, represent mental soil. They are formulated in official strategies (general level) or discussed for the purpose of a specific work. The importance of context developed significantly in the last decades. Context is considered a crucial element in the meaning of public art. Location of important public art, monuments and memorials requires a complex approach and the involvement of artistic professionals, architects and preservationists. Art in public spaces lays on the intersection of different forces: artistic individuality and public interest, sensitivity for actual issues as well as long-term values. Keywords: permanent public art, claims, context
Foreword Vol. 12 (2022): Governing the Unknown: Adaptive Spatial Planning in the Age of Uncertainty
I have contributed to the establishment of the AESOP Young Academics Network during the mid-2000s and I have continued to be an enthusiastic supporter ever since. Therefore, it is my pleasure to write the foreword to this important volume of the international open access journal PlaNext – Next Generation Planning, which is a compilation of the most advanced proceedings from the 15th YA conference, that took place in Tirana, Albania, in the Spring of 2021. This conference was the first YA event to take place during the COVID-19 pandemic, and its topic – “Governing the Unknown: Adaptive Spatial Planning in the Age of Uncertainty” – very much reflects the uncertainty that pervaded that period. Simultaneously, it drew inspiration from a lengthy wave of crises that, in Europe and beyond, have gradually increased instability and questioned our development models over the past 15 years. The global financial crisis, the escalating climate emergency, and the energy and food crises spawned by the Russia-Ukraine war have all highlighted the need for alternative models of development that prioritize quality over quantity, society and ecology over economy, equity over growth. These phenomena have had a disproportionate impact on weakened and marginalized communities, resulting in an increase in precariousness and uncertainty. This has for the first time since the post-war reconstruction brought to the fore of planning debates new questions about the capacity of mainstream development paradigms to tackle the critical notions of inequalities, poverty, vulnerability, and marginalisation. As a matter of fact, inequality and crises have mutually reinforced each other over time, with inequality that made cities and regions more prone to decline and crises casting light on and amplifying inequalities.
Editorial Vol. 12 (2022): Planning for uncertainty
Volume 12 “Governing the Unknown: Adaptive Spatial Planning in the Age of Uncertainty” of the peer-reviewed journal plaNext – Next Generation Planning comes as a product of the 2021 AESOP YA Conference that took place at Polis University (Tirana) during March 29 and April 2, 2021. This was the 15th conference of the YA network, aimed at fostering a welcoming environment for debate and peer-learning among students, young and senior researchers, and practitioners interested in urban planning studies. Being the first YA conference since the initiation of the COVID pandemic, it was organized in a hybrid format, with the organizers managing more than 50 participants remotely from Albania. Despite fewer spontaneous and informal meetings than in previous events, due to the limitations imposed by the hybrid format, the conference went smoothly and engendered insightful reflections that provided a tangible input for this special issue of PlaNext.